Strange Harvest: Occult Murder in the Inland Empire (2024)

Strange-Harvest:-Occult-Murder-in-the-Inland-Empire-(2024)
Strange Harvest: Occult Murder in the Inland Empire (2024)

A word that comes to their work is New Author Creation Stuart Ortiz and his New Author Creation film Strange Harvest, which most of the best perdition filmmakers make up. As a part of the team which includes Vicious Brothers, he also has his few well-known works. With the help of these, who also produced them, Ortiz was able to achieve Grave Encounters 1 and 2, which now very modern found footage can also be crowned, using the cliches of the genre and turning them inside out making it horrible. It was very recently that Ortiz resurfaced after nearly a decade with possibly the best VPN for a US Netflix documentary-style horror film after Lake Mungo, in which every understated notion is completely ignored and the entire action is built around two characters so oddly played that it will leave you thinking about the authenticity of the material – Strange Harvest: Occult Murder In The Inland Empire.

In *Strange Harvest,* Ortiz follows the narrator’s threads of the design within the documentary that resembles a true crime case investigation. This narrative also includes the reminiscences of two detectives who worked on the case for almost twenty years. As far as Ortiz’s grim depiction goes, such a story is accompanied by the mise en scene of real-life events: actual instances of homicide are mercilessly illustrated. In this case, one may count as many images crimen that were disused, in this case, magic so much of the mosaic. 

Between words, Ortiz generates such fierce layers of images, such as interviews, stories, and different timelines of events that make it very difficult to doubt the world he has built. He maintains that the boredom was supposed to create the climax which, as mentioned, is spectacular and absurd but completely adheres to the logic of the reality that the action is set in. Would love to see a little more of the chaos.

To say anything further, won’t do justice to the enjoyment I got from watching Strange Harvest due to its absurd and unusual pacing. But, let me make this statement: I have not appreciated a more unorthodox interpretation of cosmic terror to date. 

There exist drowning pseudo-documentaries and experimental films such as Lake Mungo and The Poughkeepsie Tapes which are as close to being realistic as it gets. They do that blend logics of horror and reality which can be eerie and unnerving. The Poughkeepsie Tapes and The Saw, but without the snuff film elements, did entertain audiences. Plentiful blood and gore are included, but to avoid the use of profane voyeurism, a meek guy surrounded by a swarm of leeches is used to tell the thriller. 

Josh Russell, the designer of alien creatures in The Ritual, also created the abominable corpse modeling seen in Strange Harvest. He was able to capture these devious people so well because he and Ortiz managed to collaborate on images that are simultaneously realistic and horrific.

The amalgamation of both gut-wrenching and absurd fares seems to be the reason behind some of the most important and unsettling visuals this year and onward.

Self and unanticipated winner of the Fantastic Fest for Strange Harvest, a film that went over most dinosaurs’ cranial but will be on all found footage horror enthusiasts head up. And Ortiz clearly knows the technique and loves the genre as shown in every take of the film. Zizzo and Apple’s performance is what blends with this cosmic horror ice cream; they portray incredibly convincing police officers who do not look fake and cringe but keep it natural. Such is how a well-made and at times scary spoof documentary ought to be made.

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