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The Sixth (2024)

The Sixth (2024)

Congressman Jamie Raskin states at the beginning of the documentary about the January 6th Insurrection ‘The Sixth’ that “Sometimes the truth is like a second chance”. This second chance is like an equalizer for freedom, human rights, and democracy in the US. But the context accompanying Raskin’s interview is at times pretty sobering. On the […]

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Megalopolis 2024

Megalopolis 2024

The irony is that in Megalopolis the author, Francis Ford Coppola, is also at liberty to define Roman history, US history, Rivalry and Cooperation in Politics, Urbanism, Technology, Love, marriage, etc in the simplest way possible. Megalopolis is what is called a movie directed by otherwise Francois Ford Coppola, who also happens to have been

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Suncoast (2024)

Suncoast (2024)

What can possibly be more Sundance than a heart-wrenching coming-of-age film? Now, don’t get me wrong. I am not disparaging this genre in any sense. Pathways that have already been traversed can still be quite fruitful as Megan Park’s coming-of-age drama “My Old Ass” proved rather well with some finesse at this year’s Sundance. In

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Justice League: Crisis on Infinite Earths – Part Three (2024)

Justice League: Crisis on Infinite Earths – Part Three (2024)

Justice League: Crisis on Infinite Earths is the most infamous rendition of a DC comic and its third part has confirmed all the fears that the fans have with respect to that adaptation. The cringe-worthy American adaptation of this comic fails to leave a good first impression They have decided to release the comic book

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 MaXXXine 2024

 MaXXXine 2024

To get the ball rolling on my article, let me first focus on the introduction. I still feel uneasy talking about this, however, I am more than happy to admit that fear has always been my Achilles heel. The suspense, the nightmare. I understand why some wish to summon the nerves, but that is not

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Killer Heat 2024

Killer Heat 2024

The episode at hand has two narrative time strands, one in which the creator of ‘Killer Heat’ is watching detective movies set in Hollywood while the other shows an old man’s killer, an ethnic Albanian, during the civil war in Yugoslavia. After adapting The Jealousy Man by Jo Nesbo, Director Lacote feels confused, however, the

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