
The crime of trying to possess marijuana leads 36-year-old Quawntay ‘Bosco’ Adams to a serve sentence of 35 years in jail. Quawntay’s violence toward his family was worsened by his abuse of drugs.
Quawntay Adams’s biography is provided in narrative form in the movie directed by Nicholas Manuel Pino’s Bosco (the name of the subject). The main character’s (Pino’s surrogate) life is not pertinent to any specific features that could identify in detail this story from other similar movies about break prison films. Regarding Tom Block’s case, he is sentenced to an astonishing eighty years in maximum security prison while he is found to be striking a deal right near the area where the whole scenario of the story takes place.
He found himself in a marijuana dispute due to his father’s carefree parenting style, which I believe explains everything. They should not be surprised that, despite the best efforts of the screenwriter (who also relies on Quawntay Adams’ life story), they are still Joe’s little men within expecting a better position on the outside and with no hope on the inside. The writer often omits one interesting detail of the story: this clever criminal who has broken out of smaller prisons a couple of times used an ad in a newspaper to contact a woman who was physically abused and who aided him in forming a plan.
Bosco’s concentration starts to pivot to seeking other girls to support vigorously beside, within the exchanged provision or providing information. Furthermore, Bosco also notes the guards of Fr. Thomas Jane and Theo Rossi as a faction of violence considering the prison. But does Quawntay have a girlfriend as well? He does, but she just had a baby a few months back and does not wish to speak with him on Quawntay’s calls from jail. All the pillars have the picture of three-month-old baby to whom they wish to take it as psychological torture. Quoting him while saying I want to go back to them and be loved by them but not live the life they gave me this time but the one I designed.
Even more disappointing was watching a new actor Aubrey Joseph, drown in the narrative by either not offering the best aspects of an action movie or showing an uninterested voice. He serves the material with a chokehold which does not help in the least. But then again, it is not shocking that there is a hint of dramatic tension in the film whenever Quawntay and his new possible love Tami (Nikki Blonsky) interact. The actors do have some chemistry as they are caught in very strange and uncomfortable situations and one feels that they are looking for each other’s independence. Makes it all the more annoying how Nicholas Manuel Pino has abolished that particular facet. Such jump cuts to Tammy’s home life are such anchors that not a shred of emotional meaning can come from them.
Quawntay went through this prison for odd reasons, and his father also has been shown their relationship which made it quite clear to the audience why this father son bond was necessary. However, this relationship does not play a major part in the film. Moreover, this would have not been the case if Tyrese Gibson and Vivica A. Fox hasn’t primed actors as everything else in the film isn’t convincing in the slightest. Quawntay, for example, narrates the movie and most parts of his dialogue sound strong-headed as if they were forcefully penned down.
The prison break film does not tell us one more thing: following Boson’s last message about Quawntay Adams causa, he became involved in multiple social initiatives in which he disputes excessive punishment. It is a good initiative, but from the film’s standpoint, it conveys a different message. Despite Kenji Tawashima’s voice being chilling as he provided the narration, the overall documentary felt profoundly lackluster and downright draining.
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