The Night They Came Home (2024)

The Night They Came Home (2024)

If you ever find yourself in need of some motivation to hate humanity, do give ‘The Night They Came Home’ a watch. It is honestly quite baffling how this movie was even made. If I could suggest one thing for you, ignore the people in the yellowing queues and head to the exit instead. The whole effect probably begins with the baffling scenes in which Danny Trejo an elderly narrates the story in two irrelevant scenes which can be referred to as characters. The scenes that touch on the violent behavior men have towards women are rather out of place yet serve as an artifact from that era. And, throughout the movie, Trejo has single-handedly managed to terrorize the audience, and in the concluding scenes angry men with rifles charge into the scene, to the surprise of no one. The sad and violent robbery ends with what sounds more like an explosion than a gunshot simply because I have never heard a gangster robbery done that way.

Not at all, I understand that this sounds like a ridiculous suggestion, but let us start off there. Where does this movie throw modesty? You would expect some of the usual visual characteristics of an American movie or a Western for that matter and the type does suggest a lot of fill. None of the effects were too impressively inventive.

Although the production design of this project looked cheap and caused a number of people to question the reasons for it, the production design might do as a reason. But even, a low-budget movie does something great and that is not an excuse for the time being. Nor does a lack of resources justify a horrible screenplay. The film made by John A. Russo and James O’Brien simply has a wrong approach in their opinions because it contains everything but the main idea of the whole story. According to the advertising of The Night They Came Home, this is a ‘based on real-life events’, ‘semi-structured criminal activity’ type story. This narrative tracks the disrobing and re-draping of a Rufus Buck Gang, which, fueled by Buck (Charlie Townsend), detected a sheriff (Tim Abell) interested in their affairs.

This appears to be a good movie with a very different plot. Both Buck’s group and the police officer have no form of entertainment as it seems like Volk’s movie-making strategy was to rush the completion of the film with barely any spoken parts. However, the similarity between these sides is quite revealing because it is obvious from the outset who we are meant to be rooting for, which is the end of the gang. Despite them having their fair of violent actions sexual and other types of them, Volk and the writers develop the climax towards a more empathetic position towards Buck and his crew.

As is evident in The Night They Come Home, we have already gotten the idea from many different parts of the plot, from different characters aside from the already seemingly misplaced Trejo who is lost in the ‘won’ war of time, money and most importantly audience tolerance Did the film set out to completely unsettle its viewers, for example, by having a waste of a gunfight in the final minutes and combining it with a hollow voice over? There were a couple plus off happy endings. Aldo and Chelsea were able to have sex and Sarah paid as well, while the sexist protagonists were ignored. The end weight was certainly 12 pounds.

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